More on "Cities in Transition"
Cities in Transition runs at the Grand Rapids Art Museum until August 26th. It is organized in four stages:
1) What Happened Here? (GRAM, Ecliptic, and Rosa Parks Circle)
2) Detroit: Then, Now, Next
3)Detroit Disassembled (Photographs by Andrew Moore)
4) Perspectives on the City (Four Centuries of Prints, Drawings and Photographs)
Detroit: Then/Now/Next features photographs of Earthworks Urban Farm, the oldest urban farm in Detroit.
Andrew Moore's photographs feature the work of Detroit. Demolition. Disneyland. (or as they are sometimes called, Object Orange), a group of artists who paint abandoned houses bright orange to protest "that so many of these houses have been left to rot."
Other articles by the same author
“Cities in Transition,” the Grand Rapids Art Museum (GRAM)’s new exhibit, invites the discussion about what is required of our cities to remain relevant as we, and our cultures and expectations, evolve over time.The exhibit, which spans the first two floors of the museum, largely features photographs that offer alternative perspectives, not only on settings within Grand Rapids that we encounter often and know very well, but also commentary on cities worldwide as well as the state of Detroit and what lies ahead in its evolution. Through a combination of two different galleries, the exhibit displays the result of Detroit’s sixty-year-long decline. The first, “Detroit Disassembled,” features Andrew Moore’s haunting photographs of abandoned sites and buildings throughout the city. The second, “Reinvention: Rouge Photographs,” features Michelle Andonian’s series documenting the evolution of the auto industry. The lasting image created by these two series is that of a city in ruins, but one that is not without hope. Some well-placed informational panels, and a series documenting slow but continually growing and resurging communities in Detroit leave room for the possibility of Detroit’s eventual comeback. The sentiment created by these elements lends credence to the city’s motto: “Speramus Meliora; Resurget Cineribus,” which translates to “we hope for better things; it will arise from the ashes.”
The exhibit also offers a look into Grand Rapids’ history and evolution as an urban setting. The exhibit “What Happened Here?” focuses on the growth and changes downtown Grand Rapids and Rosa Parks Circle have undergone. Downtown’s structure experienced a lot of false starts before the area we know today was constructed. Rosa Parks Circle in particular failed substantially at first to generate any interest from Grand Rapids’ citizens as a place to gather and socialize. It wasn’t until the city hired renowned artist Maya Lin (perhaps most recognized for her design of the Vietnam Veteran's Memorial in Washington, D.C.) to re-imagine and reconstruct the space that Rosa Parks Circle’s true potential as Grand Rapids’ hub was realized. The exhibit features photos, old maps of Grand Rapids, condensed regional history lessons and a video of Maya Lin discussing her process.
The fourth component of Cities in Transition, called “Perspectives on the City,” features prints, drawings, lithographs and photographs displaying artists’ varying impressions and representations of urban landscapes from around the world. Though ultimately less engaging than the other exhibits, “Perspectives on the City” does create an interesting timeline of urban evolution around the world. What is particularly striking is how similar different cities can be, both in appearance and atmosphere, regardless of their geographical or sometimes even their geopolitical location. All cities have been influenced by cities that came before them, and they will continue to evolve in a similar vein. “Cities in Transition” offers a highly educational, thoughtful and timely examination of our contemporary urban environments. It asks the viewer to contemplate what will be required of our cities tomorrow. “Cities in Transition” asks how urban residents, as the cities' inhabitants, can rise to the challenge and ease our cities into the future.
Although I originally hail from Northern California's Bay Area, I moved to Grand Rapids in November of last year and have happily installed myself in my new post-grad, East Town life. I work part-time at a local bookstore, and when I'm not in the store peddling their wares I'm usually at home reading them. The Rapidian is my first writing gig, but I've been thoroughly enjoying it and learning a lot, so I hope I can keep throwing things out there to be published, and who knows: maybe I can keep doing this when I grow up. In the meantime I shall continue on in this vein, watching re-runs of Frasier and The West Wing between my article-writing and reading endeavors.